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soloist / soloist with electronics
concerto
CLAROSCUROS (2016) 16'56''
Concerto for flute and orchestra.
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2Fl-2Ob-Cl1 (Sib bass, sib and Eb)/Cl2 (Sib-Mib)-Fg1(Contr.) /Fg2 //.
2Horn-2Trumpt-2Tromb-Tub // 2 Perc // Harp // Pno // SOLO FLUTE (sol and do) //.
6 Vlns groups- 4 Vla groups- 4 Vc groups- 2 DoubleBass groups.
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Commissioned by the Fundación Siglo.
Premiered in 2016 by the Orquesta de Castilla y León conducted by Andrea Cazzaniga and Clara Andrada as soloist.
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BAPATEAN (2012) 9'57''
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Concerto for oboe and little ensemble: Pno-Ob-2Vln-Alt-Vc.
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Commissioned by the Fundación Canal.
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Premiered in June 2012 by ORCAM’s soloists:
Vicente Fernández, oboe
Ema Alexeeva, violín
Osmay Torres, violín
Dagmara Sydlo, viola
Angel Luis Quintana, violonchelo
Francisco José Segovia, piano
IHESI (2005) 14'19''
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Concerto for saxophone (alto-soprano) and ensemble.
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Fl. do/sol- Oboe/Cor Angl.- Cl. Sib/Bass sib- Fagot/Contr.- Saxophone Ten./Bar. -Horn-Trumpet-Trombone-Euphonium-2Perc-Harp-Piano-Solo Sax Alto/Sopr.- Vln1-Vln2-Alto-Vc-Contr.
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Orchestre of de CNSMDP conducted by Jean Deroyer with Miguel Ángel Lorente on saxophones.
chamber music with electronics
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HEART OF DARKNESS (2019-20) 58'
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Fl-Cl-Acc-Pno-Perc-Vln-Vc-Electr.
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Scenic radiodrame with live electronics.
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Commissioned by the BBVA Foundation Leonardo Grant 2018.
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Premiered by Ciklus ensemble conducted by Asier Puga. Mixtur Festival 2019.
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Conrad's prelude is the electro-acoustic prelude with which Heart of Darkness begins. This prelude is based on various electroacoustic pieces previously written, especially in Pala-Palo, since much of the musical material of Heart of Darkness, both acoustic and electronic, comes directly from electroacoustic pieces that I have previously written. So this prelude is re-composed of pulls, pieces, and ideas that are reworked again, that is, in a 4 channel live space as well as binaural for the recorded version.
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chamber music
ASTIRO (2012) 9'38''
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Picc./Fl.do/sol-Cl. Sib/bass sib-Pno-Vln-Vla-Vc.
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Commissioned and premiered by Plural ensemble in Sevilla on November 5, 2012.
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Fabian Panisello Conductor.
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*Audio of the concert at ISCM 2017 in Vancouver, performed by Montreal´s Ensemble Contemporain and conducted by Véronique Lacroix.
orchestra
ISLADAK (2009) 13'21''
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2Fl-2ob-2cl-2Fg // 4horn-2 trump-3 tromb-tub //3Perc-Timb // Harp // Pno
6 Vlns groups- 4 Vla groups- 4 Vc groups- 2 DoubleBass groups.
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"Isladak" is the orchestral version of "Refurbished sound". The commission of the National Music Auditorium and Iñaki Estrada's final exam at the Paris Conservatory coincided in the time. The National Music Auditorium had a large orchestra, his final year exam piece at the Paris Conservatoire had a maximum of 35 instruments so, hence the two versions of the same piece.
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Commissioned by the Auditorio Nacional de Música on the 22nd anniversary.
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Premiered in Sevilla by the Real Orquesta Sinfónica de Sevilla conducted by Pedro Haffter on January 2009.
REFURBISHED SOUND, for 35 musicians (2008) 12'08''
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Fl-2Cl-Ob-2Fg // 2Horn-Trpt-2sax-trmb-tub // 3 Perc // Pno // Hammond Orgu //
6Vln-4Vla-4Vc-2DoubleBass.
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Refurbished sound, for 35 musicians (2008) Orchestre du CNSMDP conducted by Guillaume Bourgogne.
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"Refurbished sound" is the small orchestral version of "Isladak". The commission of the National Music Auditorium and Iñaki Estrada's final exam at the Paris Conservatory coincided in the time. The National Music Auditorium had a large orchestra, his final year exam piece at the Paris Conservatoire had a maximum of 35 instruments so, hence the two versions of the same piece.
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electroacoustic studies
PALA-PALO (2008) 8'54''
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Pala-Palo is an electroacoustic piece commissioned by the plastic artist Paloma Pájaro for her exhibition at DADO2 in 2006. The title of the piece in the exhibition was "Litany for meditation". Paloma's request was to create a multidimensional space in which music could be integrated coexisting with painting. For this purpose, the music has been entirely composed by computer using sound takes from various instruments, actually almost all of them. Once recorded, a process of editing the material begins, modifying the sound through digital synthesis, before reaching a final montage, a kind of sound collage. This music lacks, in a way, a sense of dramaturgy, since what Paloma was looking for were static spaces. However, we agreed to give it a certain directionality and that the whole piece revolves around a single great ecstasy that takes us to the very beginning of the work.
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Conrad's prelude is the electro-acoustic prelude with which Heart of Darkness begins. This prelude is based on various electroacoustic pieces previously written, especially in Pala-Palo, since much of the musical material of Heart of Darkness, both acoustic and electronic, comes directly from electroacoustic pieces that I have previously written. So this prelude is re-composed of pulls, pieces, and ideas that are reworked again, that is, in a 4 channel live space as well as binaural for the recorded version.
BERIO SEQUENZA GAME (2006) 1'38''
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Berio Game is a brief electroacoustic study written in 2006 while Iñaki Estrada's Annual Cursus of Musical Informatics at IRCAM. This short piece combines some Berio sequences, playing with them, creating a brief expectation that is diluted in the shortness of its duration.
scenic arts
'MI RELACIÓN CON LA COMIDA' ANGÉLICA LIDDELL (2014) 1'20''
Author: Angélica Liddell
Director: Esperanza Pedreño
Performes: Esperanza Pedreño
Costumes: Daniela Presta
Music: Iñaki Estrada Torio
Ilumination: Gustavo Recuero
SGAE Theater Award 2004, and Audience Award in the latest edition of the International Theater and Dance Fair of Huesca, "My relationship with food" is a lucid artistic manifesto and a visionary diagnosis of "the lie of Spain."
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'EL CUADRO' DAVID TRUEBA (2013) 52'
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Music: Iñaki Estrada Torio
From his collaboration in SABER PERDER, where Josep Santilari's painting was the cover image of the novel, the filmmaker and writer David Trueba decided to follow the process of creating a painting. To do this, he visited the studio of the twin brothers Josep and Pere Santilari and filmed, with the precision of a notary, their technique and hard work from the original idea of ​​the painting to its completion.
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'EL SUEÑO DEL PESCADOR' ESPERANZA PEDREÑO (2012)
El Buco Teatro, 2012.
Music: Iñaki Estrada Torio
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Esperanza Pedreño has written the texts for the play "The fisherman's dream", in which she plays the fisherman.
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Work directed by Rosario Ruiz Rodgers and produced by La Fragua de los Casimiros and El Buco Producciones.
Mimodrama of psychic tides to love.
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'SWEET FAREWELL' IURGI URRUTIA (2011) 10'51''
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There have been cracks in the relationship for a while but it's all coming to an end now, and Sally wants to give Jack one last sweet farewell.
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This short film explores themes of relationships and domestic abuse.
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Produced and Directed by Iurgi Urrutia and Steve Walshe.
Written by Iurgi Urrutia.
Starring: Pia Prendiville and Mike Reilly.
Director of Photography: Steve Ramsie.
Music: Iñaki Estrada.
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'EVEN MASCOTS' EDDIE PEAKE (2009) 4'34''
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Even Mascots is a piece written during Iñaki Estrada's residence at the Royal Academy of Spain in Rome in 2009. At that time, among other artists residing at the British Academy, Iñaki met Eddie Peake, with whom they embarked on this adventure, noting that even those people who dress up as pets have a heart.